Funny Lady backdrop
Funny Lady

Funny Lady

How Lucky Can You Get!

5.2 / 1019752h 16m

Synopsis

Famous singer Fanny Brice has divorced her first husband Nicky Arnstein. During the Great Depression she has trouble finding work as an artist, but meets Billy Rose, a newcomer who writes lyrics and owns a nightclub.

Genre: Comedy, Drama, Romance

Status: Released

Director: Herbert Ross

Website:

Main Cast

Barbra Streisand

Barbra Streisand

Fanny Brice

James Caan

James Caan

Billy Rose

Omar Sharif

Omar Sharif

Nick Arnstein

Roddy McDowall

Roddy McDowall

Bobby Moore

Ben Vereen

Ben Vereen

Bert Robbins

Carole Wells

Carole Wells

Norma Butler

Larry Gates

Larry Gates

Bernard Baruch

Eugene Troobnick

Eugene Troobnick

Ned

Heidi O'Rourke

Eleanor Holm

Royce Wallace

Royce Wallace

Adele

Trailer

User Reviews

CinemaSerf

I guess a sequel to "Funny Girl" (1968) was always likely, but it really ended up being a shame that we waited seven years for this really unremarkable follow-up. The theme picks up the life of the now successful Fanny Brice (Barbra Streisand) and develops her rather lively relationship with two-bit writer Billy Rose (James Caan), who wrote a few of her hits and to whom she got married. Unfortunately, despite a decent effort from the star, the writing is not a patch on the first film: the humour there that was naive and amusing has now become coarse, unfunny and strained. The musical numbers - "More Than You Know" from Streisand and "Me and My Shadow" from Al Jolson demonstrate that Rose had some skill (with Yip Harburg on the first song too) at song writing, but again there is a paucity of memorable songs from his pen. Indeed the Oscar nominated (John) Kander and (Fred) Ebb seem to have done most of the musical heavy lifting here. We also dwell far too much on their flawed relationship, and by halfway through, the initial "breath of fresh air" approach Caan brought to the film, was drowning in a sea of treacle. Omar Sharif brings a soupçon of style to this film, and there's Roddy McDowall - well he could hardly be described as versatile, but he tries to liven things up a bit too - but, in the end it's a film about two songs with performances that almost look like they were implanted into the thing. As you would expect, it is a well put together piece of cinema - it looks and sounds great, but like a meringue - there is not much inside.