Luther: Never Too Much backdrop
Luther: Never Too Much

Luther: Never Too Much

A voice like no other.

8.0 / 1020241h 41m

Synopsis

Luther Vandross started his career supporting David Bowie, Roberta Flack, Bette Midler, and more. His undeniable talent earned platinum records and accolades, but he struggled to break out beyond the R&B charts. Intensely driven, he overcame personal and professional challenges to secure his place amongst the greatest vocalists in history.

Genre: Documentary, Music

Status: Released

Director: Dawn Porter

Website: https://luther.film

Main Cast

Luther Vandross

Luther Vandross

Self (archive footage)

Mariah Carey

Mariah Carey

Self

Jamie Foxx

Jamie Foxx

Self

Dionne Warwick

Dionne Warwick

Self

Valerie Simpson

Valerie Simpson

Self

David Bowie

David Bowie

Self (archive footage)

Johnny Carson

Johnny Carson

Self (archive footage)

Trailer

User Reviews

CinemaSerf

Using a wide array of archive and some fairly honest and potent interviews, this documentary presents us with a short biopic of rather an enigmatic gent. Initially, his dulcet tones earned him a decent enough living doing lucrative commercials and providing backing vocals until a session with David Bowie started his career on a largely unhindered upwards trajectory. His associations with Aretha Franklin, Bette Midler and Roberta Flack, his total - almost perfectionist - commitment to his art and his cheeky sense of humour all contributed further to a success that transcended not just US racial boundaries, but also physical international ones too. I wasn't really that aware of his music, but watching this does effectively illustrate just how many songs he was behind - writing and/or performing, that are more familiar than I'd expected. This also wasn't a messy man. He wasn't in and out of the papers with stories of his life, his lifestyle, his drinking or drug taking - he actually comes across as a remarkably stable man in many ways, even if his solution to problems he faced was to reach for the fried chicken bucket or the ice cream spoon. Happily, we don't really focus too much on the personal life. Perhaps because his own comments of "mind your own **** business" are echoed by the film's contributors who knew him and who chose not to add fuel to any fires burning about his sexuality. It's a celebration of his music that broadens awareness for folk like me who didn't realise the scope of his skills, and it is a fitting and spangly tribute for those who did.