Moon Child backdrop
Moon Child

Moon Child

5.4 / 1019891h 58m

Synopsis

Adopted by a treacherous semi-scientific cult where extraordinary mental powers are common, extraordinary 12-year-old David begins an archetypal journey across two continents to find his destiny as Child of the Moon.

Genre: Fantasy, Drama, Science Fiction

Status: Released

Director: Agustí Villaronga

Website:

Main Cast

Maribel Martín

Maribel Martín

Victoria

Lisa Gerrard

Lisa Gerrard

Georgina

Lucia Bosè

Lucia Bosè

Directora

Mary Carrillo

Mary Carrillo

Anciana carbonera

Günter Meisner

Günter Meisner

Abuelo militar

Enrique Saldana

David

David Sust

David Sust

Edgar

Heidi Ben Amar

Mid-e-mid

Lydia Azzopardi

Abuela mora

Jack Birkett

Invalid

Trailer

User Reviews

CRCulver

The protagonist of Augustin Villaronga's 1989 film <i>El niño de la luna</i> (Moonchild) is David (Enrique Saldana), a little orphan with, we're told, mysterious powers usually manifested as telekinesis. One day, David is adopted from the orphange by the stern Ms. Victoria (Maribel Martin), only to find that his new home is a research facility where children like him are studied in an attempt to create some kind of supermen. Hearing that the uncivilized blacks of Africa have a prophecy about a white "child of the moon", the little misfit escapes, taking with him two other research specimens, Edgar (David Sust) and Georgina (Lisa Gerrard, best known as one half of Dead Can Dance). This film has been unavailable for many years and is mainly forgotten. I imagine that most people searching for it are fans of Dead Can Dance wanting to see Lisa Gerrard's only acting credit and hear DCD's film score. Both are disappointments. Gerrard has no especial acting talent and she only succeeds in serving the story here because her character is written as borderline-retarded. Her dialogue is dubbed into Spanish too. For the most part, the soundtrack is generic synthesizer tones, and only at a brief few seconds do we hear material similar to that of their album of the same year THE SERPENT'S EGG. The first half of <i>El niño de la luna</i> is basically shots of David in anguish alternating with foreboding images of the moon. The encounter of David with the black tribe is about as fair a depiction of Sub-Saharan Africa as <i>Tintin in the Congo</i>. This is a bad film, and one that provokes bafflement. We find a godawful script tied to lavish production values (especially set design and costumes). Who put up the money for this? And once it was inexplicably committed to film, who picked this as Spain's official entry for the Cannes Film Festival of that year? These are questions.