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One, Two, Three backdrop
One, Two, Three

One, Two, Three

Billy Wilder's Explosive New Comedy

7.5 / 1019611h 49m

Synopsis

In Cold War-era West Berlin, American Coca-Cola executive C.R. 'Mac' MacNamara is tasked with playing babysitter to his boss' spoiled 17-year-old daughter Scarlett, who proves more difficult than anticipated when she reveals that she is pregnant by a Communist.

Genre: Comedy

Status: Released

Director: Billy Wilder

Website:

Main Cast

James Cagney

James Cagney

C.R. MacNamara

Horst Buchholz

Horst Buchholz

Otto Ludwig Piffl

Pamela Tiffin

Pamela Tiffin

Scarlett Hazeltine

Arlene Francis

Arlene Francis

Phyllis MacNamara

Liselotte Pulver

Liselotte Pulver

Fräulein Ingeborg

Hanns Lothar

Hanns Lothar

Schlemmer

Howard St. John

Howard St. John

Wendell P. Hazeltine

Leon Askin

Leon Askin

Peripetchikoff

Ralf Wolter

Ralf Wolter

Borodenko

Karl Lieffen

Karl Lieffen

Fritz

Trailer

User Reviews

John Chard

Amazing Cagney performance in a film that has no resonance now. C.R. MacNamara is the head of Coca-Cola's bottling interests in Germany, he is a forceful man who wants to be all that he can be. He hopes to be the head of European operations for the company and is well on his way until the teenage daughter of Coca-Cola big wig Wendell P. Hazeltine shows up and he is asked to baby-sit her for a two week trip thru the continent. I wish I could have been around to watch this on its release in 1961, for I'm sure I would of laughed my head off at the relevant jokes of the time. Full of communist bluster dialogue and jokes in keeping with the times, One, Two, Three has all the trademarks of a classic Billy Wilder/I.A.L. Diamond picture. Yet viewing it now, one finds that the jokes are tired and weary, and although the frenetic pace of the film is incredible {it really is like a scattergun exploding upon the viewers senses}, the film is something of an archaic oddity. Boasting a quite brilliant performance from James Cagney, the picture is never less than watchable, but the advent of time means the film is stuck firmly in 1961, regardless of the fine work from lead man and director alike. 6/10